Atelier vitrail du Léman le vitrail d'hier à aujourd'hui


Atelier VITRAIL du LEMAN - Marie-Dominique BAYLE, Maître verrier

1 - 3 rue du commerce - 74100 VILLE LA GRAND - Haute-Savoie - Région Rhone Alpes - France
Box : 09 83 38 85 34 Mobile : 06 20 66 62 70 - infovitrailduleman@gmail.com


Code NAF : 2319Z - Siret 520 067 778 00024 Thonon les Bains - Chambre des Métiers d'Annecy 520067778 RM 74
Formation professionnelle : 82 74 02817 74 - Maison des Artistes de Paris - Adema Genève
ATELIER VITRAIL DU LEMAN est protégé par les lois du copyright - Hébergement : www.1and1.fr - Webmaster : Marie-Dominique BAYLE

Atelier vitrail du Léman est à Ville la Grand, Haute Savoie, France

The aim of RESTAURATION is to keep the original pieces when we can, and to create the missing ones, respecting the style, the colors and the drawing.

Here I chose a drawing by the painter Courbet.
So this stained glass is sepia and black...the only touches of colors are yellow for the ribbon of the hat and a touch of light blue for the sky on the top of the corner.

This stained glass is in a wooden box with light behind. So we can put it on a piece of furniture or hang on a wall

With painting or not (called "grisaille") and whatever style they are, these traditionnal leaded glasses can suit all types of decoration and buildings.

Vitrail du Leman stained glasses in France Vitrail du Leman Stained glasses in Haute-Savoie Atelier Vitrail du Leman atelier d'art à Ville la Grand en Haute Savoie le vitrail dans toutes ses expressions entre lac et Mont-Blanc Presentation page

Figurative Stained Glass of the Middle Ages.

The figurative stained glass of the Middle Ages mainly presented scenes from the Bible and the lives of the saints. The evolution of these windows was closely linked to that of cathedral architecture. Romanesque stained glass was intensely coloured and luminous, filling the church with a mystical light. Details were drawn onto these windows, using a special glass paint, in a stylised manner. In the Gothic period, the desings became more refined, while the windows themselves became much larger. Subsequently, glasse-painters took up the Renaissance style, expressed by perspective, well-defined spaces, and anatomical accuracy. Stained glass windows constituted an important medium of their patrons and society alike.

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